Humanities

This introductory guide to analysing and discussing Shakespeare on screen establishes the differences between Shakespeare on stage and film. It provides an historical introduction and explores the key modes and genre conventions used in film. Featuring a series of critical essays, students are provided with critical knowledge and vocabulary.

This Concise Companion presents a multidisciplinary range ofapproaches to a vast multimedia subject, Shakespeare on screen. Draws on the latest thinking in cultural studies,communications, and comparative media, in dialogue with literary,theatrical and filmic approaches. Organised around themes, such as authorship and collaboration,theatricality, sex and violence, globalization and history. Offers readers a variety of accessible routes into the subjectof Shakespeare on screen. Also enables readers to explore fundamental topics in the studyof literature and culture more broadly, such as the relationshipsbetween elite and popular culture, art and the marketplace, textand image. Includes suggestions for further reading, a bibliography, afilmography, a chronology and a thorough index.

Shakespeare Closely Read is a collection of essays by Shakespearean scholars, all of which were originally papers presented at the 2008 International Shakespeare Conference at Stratford-upon-Avon. Each contains a close reading of Shakespearean or other Elizabethan dramatic texts in an effort to open up new meanings and interpretations. The volume contains an introduction by the editor on the history of close reading and its place in contemporary critical theory and practice.